{"id":21426,"date":"2026-10-01T15:50:56","date_gmt":"2026-10-01T13:50:56","guid":{"rendered":"https:\/\/www.erasmushouse.museum\/2025\/03\/03-04-25-solitude-sonore\/"},"modified":"2026-10-01T15:50:56","modified_gmt":"2026-10-01T13:50:56","slug":"03-04-25-solitude-sonore","status":"publish","type":"post","link":"https:\/\/www.erasmushouse.museum\/nl\/03-04-25-solitude-sonore\/","title":{"rendered":"03.04.25 \/ Solitude sonore"},"content":{"rendered":"

[vc_row content_text_aligment=”left” css=”.vc_custom_1586273780651{margin-top: -50px !important;}”][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″][vc_single_image image=”7287″ img_size=”full” alignment=”center”][vc_empty_space height=”40px”][vc_column_text css=””]<\/p>\n

M\u00fasica Callada<\/em>, van Federico Mompou, door pianiste Th\u00e9r\u00e8se Malengreau<\/span><\/strong><\/h3>\n
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Over het werk<\/strong><\/h4>\n

De vier boeken van M\u00fasica Callada<\/em> voor piano, een belangrijk werk van Federico Mompou, werden gecomponeerd tussen 1951 en 1967. Deze 28 korte stukken nodigen ons uit om te luisteren naar onze eigen intieme universum en om na te denken over sonische ruimtes.<\/p>\n

De klanken en weerklanken van klokken, een herinnering aan het familiebedrijf – een gieterij – hebben de harmonie van de muziek van de Catalaanse componist gevormd. Door zijn Spaanse wortels te combineren met een Franse impressionistische erfenis, cre\u00eberde hij de omstandigheden voor een \u201cuiteengezet auditieve tolerantie\u201d die nooit brak met een ideaal van sonische zinnelijkheid. Mompou wilde dat zijn M\u00fasica Callada<\/em>\u201cons zou leiden naar een nieuwe warmte van het leven en naar de expressie van het menselijk hart, altijd hetzelfde en altijd vernieuwd\u201d.<\/p>\n

Het is een weg van intiem luisteren die lijkt voort te komen uit de regels van de grote Spaanse mysticus, Johannes van het Kruis: \u201cDe stille nacht die voorafgaat aan \/ Het ontwaken van de dageraad\u201d.<\/p>\n

Dit concert viert de release van het album ‘M\u00fasica Callada<\/a>‘, opgenomen door Th\u00e9r\u00e8se Malengreau voor het Franse label Soupir Edition.<\/p>\n

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Biografie<\/strong><\/h4>\n

Verbeelding, samenhang en originaliteit kenmerken de concerten en opnames van de Belgische pianiste <\/span> Th\u00e9r\u00e8se Malengreau<\/a>.<\/p>\n

Haar repertoire vertoont een uitgesproken voorliefde voor muziek tijdens de overgang van de 19e<\/sup> naar de 20e <\/sup>eeuw, maar ook voor hedendaagse muziek; ze heeft talloze partituren uit het heden en het verleden ontdekt en voortgebracht, zoals blijkt uit haar uitgebreide discografie. De relatie tussen muziek, beeldende kunst en literatuur staat centraal in haar onderzoek en carri\u00e8re, soms in nauwe samenhang met tentoonstellingen en internationale artistieke projecten (Mus\u00e9e d’Orsay, Grand Palais, Centre Pompidou Metz, Marta Herford, etc.).<\/p>\n

Naast haar artistieke carri\u00e8re doceert Th\u00e9r\u00e8se Malengreau ook piano en vergelijkende kunstesthetica, en neemt ze deel aan de werkzaamheden van de Belgische en Franse verenigingen voor muzikale analyse en een artistieke onderzoeksgroep aan het Conservatorium van Antwerpen. Ze werd geboren in een familie van kunstenaars, behaalde verschillende masterdiploma’s aan het Koninklijk Muziekconservatorium van Brussel en heeft een master in Romaanse filologie van de Universit\u00e9 libre de Bruxelles.<\/p>\n

\n

Donderdag 3 april 2025 om 19u
\nRenaissancezaal
\nTarief : 15 \u20ac per persoon
\nIn het kader van de Nuits du Beau Tas<\/em><\/a><\/p>\n

 <\/p>\n<\/div>\n

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